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Norman Rockwell Willie Gillis Series

Willie Gillis: In College by Norman Rockwell    

Norman Rockwell Signature

From the Cover of The Saturday Evening Post


Norman Rockwell Willie Gillis series of paintings appeared on the cover of The Saturday Evening Post starting with cover of the October 4, 1941 issue and continuing through the October 5, 1946 issue.

The eleven paintings featured on the Post cover told the story of a typical American soldier during World War Two.

Willie Gillis, Jr was a fictional American service man. His military career was tracked on the cover of the Post from induction through discharge without being depicted in battle.

Rockwell himself described Gillis as "an inoffensive, ordinary little guy thrown into the chaos of war."

During this time period, the Post boasted over 4 million subscribers. Many of those readers believed Gillis to be a real, flesh and blood soldier. The Post received lots of mail, especially from Gillises, inquiring about the private's well being.




Bob Buck, the Real Willie Gillis

Robert Otis "Bob" Buck was the young man who Rockwell discovered and picked to be the model for the Willie Gillis series of Saturday Evening Post covers.

Buck was 15 years old and 5'4" (1.63m) tall when he and Rockwell met for the first time. They met for the first time at a square dance in Arlington, Vermont.

Rockwell had been trying to find a model for a painting. Rockwell kept observing Buck from different angles contemplating the possibilities.

Rockwell loved painting interesting faces. Buck noticed and informed Rockwell that if he did not stop staring at him, Buck would knock him flat.

Buck was exempted from military service, but felt it was his patriotric duty to serve. He enlisted as a Naval aviator and served in the South Seas.

After Buck had enlisted, Rockwell painted him from memory and photographs. Many times, Buck as Willie was only present as an photograph in the background of the picture.

At one point, Rockwell was going to end the series, but the Post editors told him to continue. The series was immensely popular.

Willie Gillis: Food Package

Saturday Evening Post Norman Rockwell Willie Gillis Food Package October 4, 1941    
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Willie Gillis: Food Package

Willie Gillis: Food Package was the first installment in and introduction to the Norman Rockwell Willie Gillis series of paintings.

The introduction to this American icon was published on the cover of The Saturday Evening Post on October 4, 1941.

The painting shows Private Willie Gillis, Jr. receiving a food package from home.

It also shows the other service men's reaction to someone receiving a care package from home.

Willie is, by far, the smallest of all the GI's shown in the painting.

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Willie Gillis: Home Sweet Home

Saturday Evening Post Norman Rockwell Willie Gillis: Home Sweet Home November 29, 1941    
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Willie Gillis: Home Sweet Home

Willie Gillis: Home Sweet Home was the second painting in the Norman Rockwell Willie Gillis series of illustrations.

The painting was published on the cover of The Saturday Evening Post on November 29, 1941.

In this painting, we see Willie Gillis at home on leave, sleeping peacefully in his own bed.

He is no doubt dreaming about homemade breakfast.

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Willie Gillis: USO

Saturday Evening Post Norman Rockwell Willie Gillis: at the USO February 7, 1942    
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Willie Gillis: USO

Willie Gillis: USO was the third painting in the Norman Rockwell Willie Gillis series of paintings.

The painting was published on the cover of The Saturday Evening Post of February 7, 1942.

The alternate title is Willie Gillis at the USO.

Thispainting shows Willie enjoying the hospitality provided by the USO. He is also enjoying the scenery, two pretty young volunteers.

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Willie Gillis: Hometown News

Saturday Evening Post Norman Rockwell Willie Gillis: at the Hometown News April 11, 1942    
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Willie Gillis: Hometown News

Willie Gillis: Hometown News was the fourth painting in the Norman Rockwell Willie Gillis series.

The painting was published on the cover of The Saturday Evening Post on April 11, 1942.

The alternate title is Willie Gillis on KP.

This painting gives us our first glimpse of Willie earning his keep in the Army. Peeling potatoes is very important work. An army travels on its stomach.

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Willie Gillis: What to Do in a Blackout

Saturday Evening Post Norman Rockwell Willie Gillis Blackout June 27, 1942    
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Willie Gillis: What to Do in a Blackout

Willie Gillis: What to Do in a Blackout was the fifth painting in the Norman Rockwell Willie Gillis series.

The painting was published on the cover of The Saturday Evening Post on June 27, 1942.

The alternate title is Willie Gillis: Blackout.

This painting is almost art deco style.

Willie is accompanied by a pretty young lady and has to spend the night in a blackout.

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Willie Gillis: In Church

Saturday Evening Post Norman Rockwell Willie Gillis: at the In Church July 25, 1942    
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Willie Gillis: In Church

Willie Gillis: In Church was the sixth painting in the Norman Rockwell Willie Gillis series of paintings.

The painting was published on the cover of The Saturday Evening Post on July 25, 1942.

This painting was the first of Rockwell's modern spiritual themed paintings.

Willie looks very reverant in this picture.

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Willie Gillis: Girls with Letters

Saturday Evening Post Norman Rockwell Willie Gillis: at the Girls with Letters September 5, 1942    
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Willie Gillis: Girls with Letters

Willie Gillis: Girls with Letters was the seventh painting in the Norman Rockwell Willie Gillis series.

The painting was published on the cover of The Saturday Evening Post on September 5, 1942.

The alternate title is Double Trouble for Willie Gillis.

Two girls receiving the same letter from the same GI with the same photograph with the same inscription: Willie should be glad he is off fighting a war other than this one.

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Willie Gillis: Cat's Cradle

Saturday Evening Post Norman Rockwell Willie Gillis: Cat's Cradle June 26, 1943    
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Willie Gillis: Cat's Cradle

Willie Gillis: Cat's Cradle was the eigth painting in the Norman Rockwell Willie Gillis series of paintings.

The painting was published on the cover of The Saturday Evening Post on June 26, 1943.

The alternate title is Willie's Rope Trick.

We get a glimpse into Willie Gillis interacting with the native citizens in this illustration.

He is entertaining and amazing a snake charmer with a simple childhood string trick, Cat's Cradle.

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Willie Gillis: New Year's Eve

Saturday Evening Post Norman Rockwell Willie Gillis: at the New Year's Eve January 1, 1944    
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Willie Gillis: New Year's Eve

Willie Gillis: New Year's Eve was the ninth painting in the Norman Rockwell Willie Gillis series.

The painting was published on the cover of The Saturday Evening Post on January 1, 1944.

This was another example of Rockwell including Willie as a photograph on the wall.

The main character is Willie's girlfriend, dutifully spending New Year's Eve at home, dreaming about her fellow.

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Willie Gillis: Gillis Family Heritage

Saturday Evening Post Norman Rockwell Willie Gillis: at the Gillis Family Heritage September 16, 1944    
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Willie Gillis: Gillis Family Heritage

Willie Gillis: Gillis Family Heritage was the tenth painting in the Norman Rockwell Willie Gillis series of paintings.

The painting was published on the cover of The Saturday Evening Post on September 16, 1944.

The alternate title is Willie Gillis: Gillis Generations.

Another painting featuring Willie as a photograph also shows five previous generations of Gillis military figures.

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Willie Gillis: In College

Saturday Evening Post Norman Rockwell Willie Gillis: In College October 5, 1946    
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Willie Gillis: In College

Willie Gillis: In College was the eleventh and final painting in the Norman Rockwell Willie Gillis series.

This farewell to an American icon was published on the cover of The Saturday Evening Post on October 5, 1946.

This painting shows Willie safe and sound after the war. He is attending college under the auspices of the GI Bill.

He is still holding on to the war in some ways, and has moved on to a new era in his life in other ways.

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Willie Gillis: In a Convoy

There was also one more painting in the Norman Rockwell Willie Gillis series that was unpublished. Painted in 1943, Willie Gillis in a Convoy showed Willie in the back of a military transport vehicle, with his rifle at the ready. This was the closest to battle Willie was ever depicted. You can see it here.

This painting was donated by Rockwell to the Gardner High School in Gardner, Massachusetts. The school still owns the painting and displays it.




Remember to check back often.

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Norman Rockwell Quotes:


I'll never have enough time to paint all the pictures I'd like to.

No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!

Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life.

Right from the beginning, I always strived to capture everything I saw as completely as possible.

The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.

I can take a lot of pats on the back. I love it when I get admiring letters from people. And, of course, I'd love it if the critics would notice me, too.

You must first spend some time getting your model to relax. Then you'll get a natural expression.

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